44 pages • 1 hour read
Moustafa BayoumiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The fourth chapter in How Does It Feel To Be A Problem tells the story of Akram, a bright young Palestinian man who attends school while also working long hours at the family-owned grocery store, Mike’s Food Center. The family plans to help finance Akram’s education with earnings from the store. Akram hopes he will be the first member of their family to gain a college degree from a US institution.
The environment and clientele of Mike’s Food Center is very diverse, including Arab-American, African-American, West African, and Caribbean locals. Akram is adept at speaking toward all of his customer’s experiences and interests, effectively speaking many different languages. In this sense, he and his family’s store follow what Bayoumi identifies as the “middleman minority” archetype: a merchant who acts as a go-between for higher-up corporations who want to sell to inner-city ethnic minorities, but don’t want to deal with this customer base directly. Bayoumi explains that because of their go-between status, middlemen minorities are often misunderstood on all sides, not quite fitting into any single social category.
After the September 11th attacks, Akram faces discrimination against his Palestinian heritage for wearing the keffiyeh (a head and neck wrap) in school. School officials misunderstand the significance of his garment, believing it speaks to terrorism or antisemitism. In fact, the keffiyeh is a symbol for the homeland that Akram lacks as a Palestinian-American. “Some people have do-rags,” he explains, “We have our hattas” (127).
Bayoumi goes on to detail the tension that surrounds local Arab-American stores after 9/11. While Mike’s Food Center is mostly supported by the immigrant community that shops there—with the exception of one vocal African-American resident named Walter, who nevertheless continues to come to the store—many stores owned by Arab-Americans are subject to hateful “anti-terrorist” vandalism and violence.
After experiencing constant discrimination for being Arab-American, Akram considers moving to Dubai. There, Akram believes he can pursue the American dream of prosperity while remaining true to his Arab identity. As he explains by quoting African-American poet Langston Hughes, “America’s not America anymore to me” (145).
Building off of Sami’s minority middleman experience as an Arabic translator, Akram’s chapter illustrates the complexities of life working in a middleman minority store. He wears many hats and speaks many languages, but, as Bayoumi points out, the ability to transcend language barriers does not always afford one the ability to transcend cultural barriers. Middlemen minorities—like many young Arab-Americans—occupy an uncomfortable in-between space, a gray area of Brooklyn’s sociocultural topography.
Akram’s chapter does illustrate, however, that Arab-American stores like Mike’s Food Center can serve as a safe haven, where people of different ethnic groups can freely articulate their identity without fear of scrutiny or judgment. How Does It Feel To be A Problem presents a number of similar gathering places, including hookah bars, cafes, and Middle Eastern restaurants that function in this manner. Even corporate stores such as the local, Arab-owned Dunkin Donuts provide a kind of safe space, as the workers can recommend food friendly for Muslim diets. Akram, however, slyly points out that the face of the Arab-American middleman merchant may be changing when he jokes, “That’s the new Arab store […] Target” (148).
One possible (optimistic) interpretation of this joke is that Arab-American culture—and the sense of connection it brings—can be transported to different environments, as with Akram’s keffiyeh he wears, symbolizing his country. With his decision to move his “American dream” to Dubai, Akram suggests that home can be found, recreated, and created anew wherever one moves to.
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