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84 pages 2 hours read

Ray Bradbury

The Illustrated Man

Ray BradburyFiction | Short Story Collection | Adult | Published in 1951

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Story 17

Story 17 Summary: “The Rocket”

A junkman, Fiorello Bodoni, dreams of riding a rocket. When he is certain his “kind wife” Maria is asleep (245), he sneaks out at night to watch them. On one such evening, he shares with an elderly neighbor, Bramante, that he will ride a rocket one day. Bramante shoots him down, arguing that rockets are only for rich people. Bodoni tells him that he has saved up enough money over six years to send one member of his family on a rocket trip, but Bramante calls him a fool again, saying that whoever gets to go will be envied by the others. He advises Bodoni spend his money on something he needs for his business instead and let his family “be content with being poor. Turn their eyes to their hands and to your junk yard, not up to the stars” (245-27).

Nevertheless, the next morning at breakfast, Bodoni tells his family that he has enough money to send one person to space. At first, they argue over it, then draw straws, but slowly each member of the family realizes that they could not bear to go without the others. Disappointed, but selfless, they decide no one should go.

In the junkyard the next day, a man named Mr. Mathews offers to sell a model rocket ship to Bodoni to melt down for aluminum. At first Bodoni refuses; $2,000 is too much money, and he doesn’t have the proper furnace. Suddenly, he insists on buying it after all. He sits in it and is deeply moved by imagining a space flight. Then, he is driven to destroy the rocket, resentful that it can never actually take him to space. He hears the family radio playing inside and reconsiders. He tells Maria to pack for Mars.

The children are enamored with the rocket, but Maria is devastated. She believes Bodoni should have spent the money on equipment instead, and indeed, Bodoni exhausted his bank account on the rocket and other mysterious deliveries. He works on the ship all night.

Finally, he calls the children out to leave for Mars, but Maria has locked them up, afraid that Bodoni will get them killed in a ramshackle rocket. Finally, she relents. Bodoni tells the children the rocket is very old and can only go on one trip. They take off; the children are mesmerized by space. When they fall asleep, Bodoni opens the door—to his junkyard. He had made the rocket into a simulator. He waves to Maria inside the house; she waves back, “a small wave, perhaps. A small smile” (255). Back inside the rocket, Bodoni is relieved that the illusion has held. He and the children spend a week in “space.”

When they land, the children thank Bodoni for the experience: “We will remember it for always, Papa. We will never forget” (257). In bed that night, Maria kisses Bodoni and tells him he is the best father in the world. He tells her he will take her on a little trip of their own someday.

Story 17 Analysis

“The Rocket” is one of the few stories in the collection to deal with class division and poverty. Unlike the well-to-do or at least solidly middle-class families of “The Veldt” and “Zero Hour,” Bodoni’s family enjoys none of the advantages of the tech-savvy society they inhabit. Instead, they process junk—and an elderly neighbor, Bramante, encourages them not to hope for anything beyond that. Notably, it is not a surplus of work that keeps Bodoni busy but a capitalistic strain against others. Competition “had kept him on the insane edge of poverty for years” (249). He barely has the necessary equipment to process trash.

Still, Bodoni chooses to spend his savings—irresponsibly, perhaps—on a nonfunctional rocket. In doing so, he paradoxically represents the best father in the collection. Unlike the model, but ever-distracted father in “The Rocket Man,” Bodoni is completely present for his wife and children. “The Rocket” is unique among the stories in The Illustrated Man because it presents a loving and healthy family. Every member selflessly refuses to enjoy an advantage over the others, and as a result, they enjoy a shared experience together.

Importantly, the reality of the experience is less important than the joy it induces. Again, Bradbury emphasizes the incredible power of imagination. Hitchcock from “No Particular Night” would argues that Bodoni’s rocket was not real and was therefore worthless, but reality has little effect on the value of the experience for Bodoni and his children. As always, fiction represents for Bradbury an important valve and safe haven in otherwise hopeless situations.

In the original 1951 edition of The Illustrated Man, Bradbury chose to slot this story last, reflecting perhaps the optimistic tone he wished the collection to end on.

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