84 pages • 2 hours read
Ray BradburyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Besides the Prologue and Epilogue, “The Rocket Man” is the only story in The Illustrated Man told from a first-person perspective. It is narrated by its protagonist, Doug. Lilly, Doug’s mother, begs for his help in keeping her husband home. Doug doubts they can, and they spend a sleepless night waiting until they finally hear Dad’s rocket overhead. When Dad arrives, Doug sneaks into his parents’ room and takes his bag. He uses a centrifuge to extract celestial dust from his uniform as a keepsake, then returns it before his parents can notice.
At breakfast, Dad acts like he has not been gone for three months. He works with intense dedication in the garden, careful not to look up at the sky. That night, the family spends time together on the porch. Doug knows that Dad will eventually begin increasingly looking to the stars before finally leaving again; but for a few nights, he will be wholly present.
They go to the television carnival, where Doug asks Dad what space is like. Dad responds, “It’s the best thing in a lifetime of best things” (102) but then quickly downplays the experience. At home, Doug asks to see Dad in his uniform, though Mother hates it. When Dad is gone, Mother does not allow Doug to do household chores like mowing the grass—life is put on hold until he returns. She often seems distant with Dad, but “other days she would be there and he would be there for her, and they would hold hands […] Mom’s hair flying like a girl’s behind her” (104).
Dad abruptly buys them rocket tickets for California and Mexico. On the beach, he and Doug have a heart-to-heart conversation about mundane details of Doug’s life. Dad is deeply interested in his son and makes Doug promise to never be a rocket man: “[…] When you’re out there,” he says, “you want to be here, and when you’re here you want to be out there. Don’t start that. Don’t let it get a hold of you” (106).
Mother makes a full Thanksgiving dinner in August to try to lure Dad to stay. He seems tempted, but a passing helicopter makes him look outside, where he sees the night sky. He asks her to pass the peas instead. Mother runs out of the room, upset. That night, Dad is sitting outside on the porch. Doug asks him how many ways there are to die in space; Dad replies: “a million” (108).
Early the next morning, Dad leaves but promises this will be his last trip. Mother tells Doug that she often pretends Dad is dead to stave off her grief, so that the few times a year he is home feel like a pleasant dream. If Dad dies in space, she is worried they will never be able to look at the planet which caused it.
The next day, they learn Dad is dead—his ship fell into the sun. For a long time, Mother and Doug completely withdraw from the day, living only at night. For them, “there was no sun” (111).
The central conflict of “Rocket Man” is the tension between an unnamed father’s longing to be in space and to be at home with his family while he is away. Metaphorically, space can represent something as mundane as the man’s career or as grandiose as an existential sense of freedom and danger. Dad, like Captain Hart in “The Man,” is seemingly never at peace. However, Bradbury’s framing of the story subverts expectations—rather than following the Rocket Man on his exciting adventures, Bradbury focuses on the people he has left behind.
Despite the story’s futuristic setting, Dad, Mother, and Doug form the typical 1950s post-war nuclear family. The father leaves to work, and the mother stays home to care for their child. Bradbury often relegates female characters to the domestic sphere—more housewives appear in “Marionettes, Inc.” and “Zero Hour”—but he often treats them sympathetically. Doug is a typical son who both hero-worships and feels distant from his father. His centrifuging of the dust from Dad’s uniform reveals a desperate desire to be close to him.
Bradbury uses Doug’s changing titles for his parents to demonstrate his distance from or closeness to them. The unnamed father is almost always referred to as “Dad,” except when he tries on his astronaut uniform. In that scene, Doug’s admiration for his dad and the otherworldliness of his get-up leads him to think of the man as “Father.” Similarly, Lilly is always referred to as “Mother,” except when her Thanksgiving dinner almost convinces Dad to stay for good. Here, Doug calls her “Mom,” perhaps because this is the closest to being a complete, normal family that they experience. By telling the story from Doug’s perspective, “The Rocket Man” details every shift and flux in Dad and Mother’s relationship through his eyes, both good and bad. The result is a nuanced examination of the micro-expressions of every-day familial life, told in a fantastical setting.
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By Ray Bradbury