49 pages • 1 hour read
Emma ClaytonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Once Ellie lands in Cape Wrath, she feels Mika’s presence, but Gorman refuses to answer any questions about him. The Roar fills her head, but she quiets her rage—she doesn’t want to become a killer. Sitting in Puck’s enclosure, she plays a game with him. She spreads lettered tiles on the floor and telepathically communicates which letters for the monkey to retrieve. He spells out the verse of a poem from Ellie’s poetry book.
After an intense series of tests, the final 12 competitors are brought to an upper chamber to view the Aurora Borealis, but it does little to comfort them. That night, Mika awakens from a dream to find Audrey in his room. She is frightened, and he does his best to comfort her.
The next morning, Mika, Audrey, and Leo eat breakfast. Mika’s throat is raw and bruised from his altercation with Ruben. As Mika is taken below ground to the final round of competition, he senses Ellie ever closer. Meanwhile, in Puck’s enclosure, Ellie suddenly senses Mika on the other side of the wall, but just as their minds reach for each other, an armed guard drags Ellie out of the room. Mika is then taken to a large pit with a cage dangling above it. He is blindfolded, led into the cage, and warned, “[D]on’t put anything, not even a finger, through the bars, OK?” (358). Down in the pit, something ferocious hurls itself against a steel door. The cage is lowered into the pit and several borg creatures are released from their holding pen. Like sharks in a feeding frenzy, they attack the cage as Mika tries desperately to remain inside the bars. As the cage reaches the floor of the pit, the creatures, suddenly calm, are quietly circling it. To Mika’s ears, they sound like dogs. He reaches out, to connect to them, but the men quickly pull the cage up.
Mika returns to his room and sleeps deeply. He awakens to Audrey knocking on his door. She too is shaken by her experience in the pit. Later, they attend an elegant dinner for the nine remaining contestants.
Gorman dresses in preparation for the dinner. His doctor is concerned about his erratic heartbeat—Gorman is anxious about facing these mutant children. As Gorman enters the dining hall, Mika is shocked—this is the face of the Telly Head in his dreams. When Gorman summons other dignitaries to the dinner, their “papery skin and bulging eyes” (367) are the faces of the other Telly Heads—his nightmare in the flesh.
Gorman announces the final winners—including Audrey and Leo—but he is torn between Mika and Ruben. He finally chooses Mika, thinking he’ll be easier to handle. Ruben explodes in anger, levitating into the air and telekinetically hurling knives at the dinner guests. Gorman orders the guards to shoot him, but Mika flings his body over Ruben’s, knocking them both to the floor. Guards drag Ruben away, and the contestants are ordered back to their rooms. Despite the chaos and uncertainty, Mika is ecstatic—he’s won, and now, he’s that much closer to Ellie.
Gorman visits Mika in his room. He’s sending him home to his new residence in the Golden Turrets, but Mika is desperate to stay, to find Ellie. Gorman then makes Mika an offer: Gorman will reunite him with Ellie in exchange for Mika’s promise to do whatever Gorman asks. If he violates any of Gorman’s conditions—he must return the next day, not tell his parents anything, and he cannot leave the apartment—he will never see Ellie again.
As Mika flies away from Cape Wrath, he sees an endless line of freighters bearing thousands of children to the fortress, all with implants controlling their every move. When Mika disembarks at the Golden Turrets, he hears a rhythmic beating—the sound of the poor below pounding on the massive pillars to mark the increasing number of the dead—victims of institutional neglect. Mika rides the elevator to his new apartment, dreading having to lie to his parents. He finds them—stunned but ecstatic—exploring their luxurious new space. Asha senses something different about him, but Mika knows he can’t say anything about his newfound abilities.
As YDF maids prepare for a party, Mika anxiously awaits the coming of the new day. As the party commences—a celebration for the winners and their families—the contestants gather on the balcony and ponder Gorman’s plans for them. Mika suggests he wants to use their abilities for destructive purposes.
Gorman huddles by a fire, sending out a message to hundreds of thousands of children, and then sends for Ellie. Back at the party, the contestants compare mutations. Suddenly, they all notice an eerie silence—the banging from below has stopped—followed by a piercing wail. Gorman’s message announces that all “twelve- and thirteen-year-old children […] were taken this afternoon by the YDF from the arcades” (403). They are being sent to war. Asha and David plead with their son to explain, but he—like all of the winners—has made Gorman a promise—to keep quiet.
Clayton escalates the rising action of her plot toward the climax by edging closer to revealing the mystery of what lies behind The Wall. All the testing, the charade of the competition, the distribution of the Fit Mix, has been an elaborate effort to prepare an army of children for war. She raises the stakes by making it clear that Gorman is willing to sacrifice these children for his own malevolent purposes. Here, Clayton comments on the tendency of the older generation to offer up the young on the altar of war, as well as the willingness of the rich and powerful to ensure that the poor pay the steepest price for a victory whose benefit does not extend to them. Mika notices this classism the moment he steps inside the Golden Turrets. The rich kids immediately belittle and mock him for his ragged attire, claiming, “People like you don’t live here” (387). He also notices that, despite the desperate banging from The Shadows below—a roar of protest to draw attention to the deplorable living conditions—the rich have learned to ignore it, going on with business as usual. Clayton references the out-of-sight-out-of-mind attitude so many have about those less fortunate; and even the contestants’ families, only hours removed from that same existence, feel guilty, but don’t seem willing to trade away their new status for the sake of the poor and dying.
In this walled, bifurcated society, everything has a price, and even when Mika and the other “winners” are prepared to enjoy the fruits of their labor, Gorman dangles one more condition, one more threat, one more Use of Fear to Manipulate and Control. He is so isolated, so out of touch, that he cannot imagine why parents would value their children over wealth and social status. The contestants, meanwhile, are doubly stigmatized. Their abilities mark them as different for which they suffer marginalization and abuse, and yet they are also recruited to use those differences in service to a society that has shunned them. In her dystopian world, Clayton paints a clear picture of the strategies used by the elite to keep the lower classes in line—make their conditions unlivable and offer elevated status to a chosen few to perpetuate a myth of upward mobility, and all while exploiting the poor to maintain the power of the wealthy. In this case, the elite are bureaucrats and government functionaries who live so high above the rest of society (literally) that the suffering of the poor is little more than distant white noise.
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